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Date : 2002-07-09
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A Problem Like Maria Gender and Sexuality in the American ~ With Stacy Wolfs A Problem Called Maria musical theatre scholarship finally grows up Wolfs study of four female icons of the musical stage Mary Martin Ethel Merman Julie Andrews and Barbra Streisand is rooted squarely in performance something many musical theatre historians claim but seldom accomplish
A Problem Like Maria Gender and Sexuality in the American ~ A Problem Like Maria Gender and Sexuality in the American Musical Subverting assumptions that American musical theater is steeped in nostalgia cheap sentiment misogyny and homophobia this book shows how musicals of the 1950s and early 1960s celebrated strong women characters who defied the eras gender expectations
A Problem Like Maria Gender and Sexuality in the American ~ Both A Problem Like Maria and Lydia Thompson Queen of Burlesque are explic itly driven by the love of the authors for their subjects Unfortunately while go
Project MUSE A Problem Like Maria Gender and Sexuality ~ A more extensive analytical treatment of the musical than Millers A Problem Like Maria offers one of the first discussions of the musical theatre that is grounded in cultural theory and scholarly methods sets new standards for rigorous readings of musicals and provides a framework and context for this emerging field The book explores the role of women in the musicals of the 1950s and 60s by focusing on the public personae and performances of the major female stars of the postwar era
Project MUSE A Problem Like Maria Gender and Sexuality ~ By her own account Stacy Wolf wrote A Problem Like Maria to try to make sense of her own passionate attachment to midtwentiethcentury Broadway musicals Given the widespread understanding of these productions as affirming a dominant American culture that was often racist sexist and homophobic
Wolf A Problem Like Maria 2002 – Goose Quals ~ Sexuality is defined relationally look for moments where the actor is placed narratively visually or thematically in a couple 40 Womencentered world or living environment evokes “lesbian” 40 Mary Martin The Tomboy Primarily known for Nellie Forbush in South Pacific Maria in The Sound of Music and Peter Pan 47 Parts written for her
A Problem like Maria University of Michigan Press ~ A Problem like Maria Description Series Subverting assumptions that American musical theater is steeped in nostalgia cheap sentiment misogyny and homophobia this book shows how the musical of the 50s and early 60s celebrated strong women characters flouting gender expectations
A Problem Like Maria University of Michigan Press ~ musical is its ability to do double duty—to promote conservative values and to provide empowering representations of women sometimes simultaneously As a form of popular culture the musical by de‹nition appeals to mainstream values Still like many forms of mainstream culture musicals can contain both explicit and covert viii Preface
The Musical Feminism and Sexuality The Iskra ~ Stacy Wolf’s chapter on Julie Andrews in A Problem Like Maria Gender and Sexuality in the American Musical focuses on Andrews’ performances in three musicals Cinderella My Fair Lady and Camelot Wolf discusses the elements of the performances that may often elude casual viewers and unpacks the complex
A Problem like Maria Gender and Sexuality in the American ~ As the first feminist and lesbian study of the American Broadway musical A Problem Like Maria is a groundbreaking contribution to feminist studies queer studies and American studies and a delight for fans of musical theater Stacy Wolf is Associate Professor of Theatre and Dance University of Texas Austin
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